CAVEAT:  if you don’t want to teach very young children, THAT’S SUPER-FINE BY ME. You just don’t get to judge those of us who choose to do so. mmmkay? (Also, this particular blog post may not be the one for you. And? If you happen to be of the opinion that teaching young children to sing is somehow detrimental or unhealthy, please take a look at this 2003 position paper by the American Academy of Teachers of Singing. thankyouverymuchokaybye)

And if you’re considering teaching very young children, here are a few things to get you started. Or maybe to give you some new ideas. You know, if you’ve been teaching children for a long time anyway.  Which many of you have. Because: HELLO IDEAL CLIENT FOR MANY INDEPENDENT VOICE TEACHERS.

clearly, i am an ideal cat. however, i am not an ideal cat for every hooman on the planet. because: so fluffy. AND THAT IS OKAY. it is okay to say: I DO NOT WANT A FLUFFY CAT BECAUSE I DO NOT LIKE CLEANING DUST BUNNIES THE SIZE OF TEXAS OUT FROM UNDER MY BED EVERY DAY. AND ALSO: HAIRBALLS. I DO NOT LIKE HAIRBALLS. this does not mean that you get to tell people who DO seem to enjoy cleaning dust bunnies the size of texas out from under their bed every day that they are doing pet ownership wrong. even if they also appear to enjoy cleaning up hairballs. EVEN THEN.

thing the first: resources & curriculum

Look. If you want resources? You should really just stop reading this right now and go over to The Full Voice website. (I know, I KNOW: who tells their blog readers to stop reading? hello …? hellooooo? I’ll just keep going for anyone who may come back. Because: I’m a giver.)  You’re going to find FREE resources over there (you know, if you haven’t already), including downloadables, webinars, a podcast series, and – THE BE-ALL AND END-ALL: a curriculum.

You know. That thing that piano teachers have about a million to choose from? YEAH. THAT. A curriculum that will help you guide your students through learning to read music, learning ear training, learning rhythm training, learning sight singing, tonic sol-fa, etc., etc., ET CETERA. Order the entire teacher package and get a discount. You will not be disappointed. PINKYSWEAR.

what’s this i see? you came back? it was the promise of more cat pictures, wasn’t it? i thought so.

thing the second: community

Guess what? There is an online FaceBook Group (that was started by Nikki Loney (yes … she’s one of The Full Voice people. and, yes … she’s pretty freaking committed to teaching young singers AND to making sure everyone else who wants to has ALL THE THINGS THEY NEED TO DO SO WELL) and Dana Lentini) that is just for people who teach singing to young people. You can ask ANY OLD QUESTION you want (well, maybe not ANY OLD QUESTION … keeping your questions relevant to teaching young singers will most likely NOT result in you getting kicked out of the group so … there’s that) and chances are HIGH you’re going to get some great answers to your question. It’s a super-supportive community for YOU, oh teacher of young singers, and it is called: Voice Teachers for Young Singers. (Because, OF COURSE IT IS.) Go ahead and join up; tell ’em I sent ya’.

we’re the black-tabby-cat-group. see how our name perfectly reflects who we are? we are very smart cats for naming ourselves that.

thing the third: repertoire choices

Okay, so … choosing repertoire for young singers can be tricky. I GET IT (and I also know it’s easy to not do it well) so here are two options options to help:

The Royal Conservatory of Music’s Syllabus:  It’s online. It’s free. It’s downloadable. It’s searchable. It’s been around for, like, a hundred years (ie it’s been tested by teachers for a long time). It’s updated every decade or so (the next one is scheduled to come out in 2019).  AND? There’s TONNES OF CANADIAN CONTENT (y’all know I’m Canadian, right? Check out Donna Rhodenizer‘s stuff especially. It’s kind of the bomb.). What could be better?

Weeelllll … there are perhaps a few things that could be better. Given that the RCM Syllabus tends not to include contemporary music theatre repertoire (and by “tends not to”, I mean “absolutely does not”), or any CCM (that’s Contemporary Commercial Music, not Contemporary Christian Music. Although, the RCM Syllabus doesn’t include any Contemporary Christian Music, either, come to think of it …), you might want to beef up your repertoire choice resources with something like Nate Plummer’s Musical Theatre Repertoire Guide for Kids. I mean, when someone takes the time to organize over three-hundred songs into twelve lists with titles like: “Golden Age for Girls Under 12”? YOU INVEST IN THAT. Because it’s going to make the choosing-repertoire-for-young-singers part of your teaching life SO MUCH EASIER. YES. YES IT IS.

will these e-books make your teaching life easier? YES THEY WILL HOOMAN. WHAT ARE YOU WAITING FOR?

thing the fourth: cultivating appropriate expectations & teaching methods

So, we all know intuitively that a six-year-old is not the same as a sixteen-year-old. But do we know how those differences may change our expectations for that six-year-old or our way of teaching that six-year-old? Because when we teach very young singers, we’re not just teaching little adults. Or, you know, small teenagers, are we? (The correct answer here, in case you’re wondering, is NO. NO, Shannon, we are not.) There are some really wonderful texts out there now that talk through child anatomy and physiology and how that anatomy and physiology (ie the actual vocal instrument) affects our expectations for what children can do. Jenevora Williams’s Teaching Singing to Children and Young Adults is a GREAT resource both for understanding the young vocal instrument and for getting ideas of how to implement that information in your daily teaching. I know, I KNOW: it’s a DVD + Book Combo. Do you even have a DVD player right now? Fear not: she’s written a BUNCH of fantastic articles that don’t require possibly outdated equipment to read. Try THIS ONE for a start.

the more you know, right hooman? you want to know what i wish i knew before i put these glasses on? THAT THEY WERE GOING TO MAKE MY EYES ALL SQUISHY. i wish i’d known that.

 

SO. There you have it. Four things to get you started (or to inspire you further!) on your path to teaching very young children to sing. Unless you don’t want to teach very young children to sing. Which, as we have already discussed, is TOTES FINE. YOU DO YOU AND ALL THAT JAZZ.

You can teach your face off … I can help.

*I thought about calling this post a ‘resource list’. But that doesn’t rhyme. Also: REBELLIOUS.

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